The opening of the new Threads of Life gallery in Lungsiakan

When the Threads of Life team came to us many moons ago and told us of their idea to open a new gallery, their first retail expansion in 22 years, we were overjoyed. When we saw it coming together we started to get excited. When we walked in through the doors the day it was officially completed, our jaws were on the ground.

To put together the opening event was an honor and we were so happy to see over 100 supporters and friends of the organization come into the space and make sure it was thoroughly warmed. The new gallery is truly magical and we’re looking forward to programming more events their in the future.

In the words of Threads of Life: The new education and retail space is devoted to the textile arts of Indonesia and is a culmination of 22 years of our work with 1000 weavers across 12 islands in Indonesia.

We will continue to operate our first gallery on Jalan Kajeng, in central Ubud, which opened in 2001. At that time we were working with only 14 natural dye traditional weavers on three islands: 12 from Lembata, one in Flores, and one in Sumba.

The new gallery now holds natural dye textiles, traditional basketry, and carvings from 12 islands of this remarkable archipelago, including Java, Sulawesi, Kalimantan, Sumatra, Timor, Lembata, Sumba, Flores, Savu, and Rai Jua, Bali, and Nusa Penida.

On these walls and shelves is the work of more than 1200 women and craftspeople who are committed to carrying on the traditions of their mothers and grandmothers.

We hope visitors will take their time, open the specially made drawers one by one, and look closely at the art that often takes more than nine months to create—the complexity of the dye process requires a rich diversity of dye materials across a range of terrains and climates. Visitors can also watch the Tradition Keepers Documentary Series in the lounge area, or book a class or residency at the Threads of Life Natural Dye Studio.

An Open Studio event and product launch for Threads of Life

To celebrate the launch of a new product line, Farmer to Fabric, Threads of Life opened their natural dye garden and studio to the public for an afternoon.

TOL Open Studio-10.jpg

Guests were able to visit 6 stations demonstrating different parts of the natural dye process, take a mini-tour of the dye garden, purchase fabrics, learn about the workshops available, and talk to the team about any specific questions they had.

TOL Open Studio-13.jpg
TOL Open Studio-12.jpg

About Farmer to Fabric:

The Farmer to Fabric collection of hand-dyed natural-dyed fabrics brings the production values of our partner weaving communities to the work of our own dye studio in rural Bali: we use natural dyes by natural processes, avoiding synthetic additives; we work by hand, so that the mastery of our in-house dyers is evident in the look and feel of every unique piece; and we source our dyes directly from the farmers we have trained to grow and process the dyes.

This collection builds on natural dye practices with indigo, Ceriops-brown, mud-black, Morinda-red, and other traditional colours that we have studied since 1998 in collaboration with indigenous weavers across Indonesia. Through this research we have been able to discover where the transmission of knowledge between generations had broken down and facilitate revitalisation of traditions. With Farmer to Fabric we can now also support sustainable cultivation and use of the dye plants as a way of supporting the husbands of the weavers we work with.

TOL Open Studio-17.jpg

Around 50 people joined the event. Many were long time supporters of Threads of Life but had never had the opportunity to visit the dye studio or learn more about the processes behind the beautiful colors of Indonesia’s textiles.

TOL Open Studio-25.jpg
TOL Open Studio-11.jpg
TOL Open Studio-01.jpg

The beautiful cloth tag we designed for the Farmer to Fabric line. Screen-printed and hand-sewn to create pockets for the information about each piece.

TOL Open Studio-04.jpg

The Indigo Dinner, December 15 2018

There’s a seat with your name on it.

The Dinner Series is about connection and immersion. We’re inviting our most creative friends on a string of dining journeys which shine the spotlight on Bali’s innovative flair.

Each meal, setting and decoration has a story of its own. Every evening takes a surprise turn. We want you to talk, learn and share—but most of all, we just want you to have a good time.

Indigo Dinner by Neyna Rahmadani-02100.jpg

The Indigo Dinner: Honouring and preserving an ancient art form

Our second Dinner Series event took us into Threads of Life’s natural plant-dye studio for a sensory exploration of all things indigo. Chef Fernando de Souza from Mana Uluwatu designed a vibrant menu with a nod to the various cultures that work with this wonder-plant.

There were big flavours, great conversation and, yes, lots and lots of indigo.

Indigo Dinner by Neyna Rahmadani-02150.jpg

Our collaborators

Threads of Life

For over 17 years, Threads of Life has worked to conserve the precious basket and textile arts of Indonesia by commissioning local weavers. Founders William Ingram, I Made Pung and Jean Howe work with over 1,000 women on 11 islands across the archipelago. They help them to manage their resources, form local coops, recover and preserve the skills of their ancestors and work in fair environments. Their Ubud Gallery offers a deeply educational insight into Indonesia’s myriad textile traditions. At their studio in Petulu, they take the learning experience even further, through immersive workshops spanning batik, dyeing and weaving using all-natural fibres and dyes.

Mana Uluwatu

The latest venture from Drifter’s Tim and Seewah Russo, Mana is just the kind of sharp, thoughtful restaurant the Bukit has been waiting for. The kitchen, headed by Fernando De Souza, draws from the various cuisines of Asia and South America. The result was a menu that’s equal parts fresh, soulful, and sophisticated, with a healthy dose of laid-backness thrown in for good measure. De Souza has a stellar repertoire, having cooked aside the likes of Jean-Georges at New York’s Perry Street and Bali’s own Agung Nugroho At Chandi, Fat Gajah and Arang Sate Bar. For The Indigo Dinner, he touched on the flavours of India, Japan, Indonesia and Peru.

We created table settings featuring indigo dyed threads, handspun cotton from Java, indigo placemats created by Threads of Life, hand-painted place settings, and traditional clay dye pots, all under a canopy of indgo-dyed cloth. The menus were hand-lettered and then screen-printed onto cloth.

Indigo Dinner by Neyna Rahmadani-03076.jpg

Jasmine Okubo performed and held the audience spellbound as she danced a specially created piece inspired by the human-nature connection.

The Dinner Series is co-curated with Maya Kerthyasa.

Get to know: Jean Howe discusses material culture, sustainable design and workshops

Threads of Life has been our client for nearly 5 years. We've had the privilege of working with them to tell their story and the stories of the communities they work with, online and offline. We sat down with co-founder Jean Howe for a short interview about their work in sustaining the textile arts of Indonesia, impact and sharing knowledge. 

Jean Howe and Om Hanis dyeing silk to a deep black by using a mud dye process in Timor.JPG

What inspires you and your work?

The team. They’re passionate, committed, lots of fun, so it’s a great place to come into every morning. I love the puzzle of working with traditional communities. So many factors continue to change for them; there are environmental, institutional and other impacts—some positive and some not. But the passion of our partner communities to continue their culture and create textiles that represent their culture is strong. I feel excited about trying to figure out how to keep all of that working.

What was your vision when you first co-founded Threads of Life?

These cultural objects represent far more than just material things. In the 90s, when we saw these amazing artifacts, it was evidence of a material culture.  They are just so beautiful. We kept asking ourselves, “How can these textiles remain important to the community and how can they generate income?”

That’s where Threads of Life came in- we thought there had to be a high-end market for these textiles. It was about wanting to re-inspire community to keep making these important cultural artifacts, at a standard of the highest quality rather than dropping down to the lowest quality, and having a market that would continually support that. Over time, that absolutely happened. The sense of pride about these incredibly beautiful textiles was really reinvigorated, and today there is a good market for these products.  People value them and they value the story; without telling the story to the market about these communities, they are only still simply material goods. With the story, the textiles begin to have value to the buyers.

Why do you think gathering people and community together is important for Threads of Life? Not only in terms of events for the weaving communities, but also weavers and textile artists from around the world.

There was a time when the weaving communities were so remote. There was nobody that was representing them or paying any attention to them. In that time period, bringing local communities together was super important. And it made them feel not alone- that the same values and concerns they had in their community, other communities in totally different areas shared as well. Now there is a lot of infrastructure, a lot of push by the government to support intangible and tangible culture as they call it.  Central government even has a creative economy department which is bringing these weavers and materials to Jakarta and creating a bigger marketplace. This type of marketplace definitely separates the goods from culture though. It's become a kind of fashion statement. But the interest in culture is there as well, which is great.  

We've been doing workshops and bringing other people here to our dye studio who want to learn about these kinds of techniques- the dye process, weaving, batik, etc.  I think the most important part is that participants are taught by the local people. They aren't being taught by ‘the western expert’ but are instead with the local, very humble people, who know deeply what they are doing. These workshops are a lot of fun. Teaching styles are quite different from westerners, who teach from A to Z,  but by developing other media we are trying to fill that side in for participants, so they can experience being taught more organically, rather than in an intellectual way. But for us, we believe it’s really important to let the teachers from these cultures lead the process.

What does sustainable design mean to you?

Sustainable design means having the awareness that things are constantly changing.  If you think sustainable is getting from A to B, you’ll find that by the time you get to B, factors have changed and nothing is sustainable anymore. You have to be able to shift again. It’s about having personal and business values about societies, culture, environment, livelihood, and continually re-examining these values. Be willing to keep shifting with the impacts that are coming at you and the community—whether that is a drought, climate change, government change etc. It’s about how do you respond to those changes, but still hold your values, allowing the values to be ‘massaged’ into something else while being realistic.

Uma Jati (69 of 88).jpg

Event: Slow Food Bali x Threads of Life x Javara

What: Colors of Life: Exploring Indonesia's Natural Dyes

Where: Umajati Retreat

Client: Slow Food Bali, Threads of Life

Press: Color Me Natural (Bali Advertiser)

Slow Food Bali — with Javara and Threads of Life held an event to highlight the world of natural and plant dyes in Indonesia, ending with a wonderful meal designed around naturally dyed heritage foods of the archipelago. 

slow_food_bali (1 of 51).jpg

A half-day journey through Indonesia's indigenous knowledge of the natural world led by two incredible organizations working to preserve this knowledge across the archipelago.

Threads of Life has documented over 300 dye plant species across the country and has created a dye garden within Umajati Retreat itself. Threads of life works with over 1,000 weavers and natural dyers across 11 islands in Indonesia. 

slow_food_bali (4 of 51).jpg

Javara produces artisanal food products by respecting the food identity, highlighting their place of origin, unique characteristics & their producers. Their products represent Indonesia's food biodiversity, indigenous wisdom and rich culinary traditions.

slow_food_bali (42 of 51).jpg


“Natural food dyes aren’t used industrially because they’re usually not stable with exposure to light, heat or acids,” Heli told a rapt audience in the Bebali Foundation’s natural dye studio near Ubud. “The colours are more subtle than chemical dyes. Colours are derived from the roots, bark, fruit, flowers, stems and leaves of ordinary garden plants. Most have no taste but a few, like the pandan leaf, lend a delicate flavor to the food. The technique of infusing rice with plant dyes has been used for generations.” 

Greenspeak by Ibu Kat

slow_food_bali (8 of 51).jpg

Event: Threads of Life x Biku

What: Tea and Textile Tales

Where: Biku

Client: Threads of Life

Press: Ubud Now and Then

A perfect collaboration between famous Seminyak institution and tea house, and an Ubud establishment. The event included a one day pop-up exhibition & store and afternoon lecture on Indonesian textiles accompanied by an incredible high tea.

Instagram-BikuPopup-v2.jpg

Once the high tea had been delivered (the menu included salak poached in cinnamon and star anise, Vietnamese spring rolls, curried egg sandwiches, Middle Eastern orange cake, pineapple and mint agar-agar and more, all on tiered silver trays), William embarked on his talk. Draping various textiles along his rather substantial wingspan, he took us on a journey that spanned 2000 years of textile production. He explained key cultural and social influences on the motifs and uses of the textiles along the way, displaying wares from Toraja, Timor, Central Flores, East Java, Jogjakarta, Sumba, and Bali. - Catriona Mitchell, Ubud Now and Then

A pop-up store event combined with a afternoon teatime lecture on textiles in Indonesia presented by Threads of Life. 

Exquisite textiles as wall art.jpeg